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If you wanted to build a machine that would distribute propaganda to millions of people, distract them from important issues, energize hatred and bigotry, erode social trust, undermine respectable journalism, foster doubts about science, and engage in massive surveillance all at once, you would make something a lot like Facebook. Of course, none of that was part of the plan. In Antisocial Media, Siva Vaidhyanathan explains how Facebook devolved from an innocent social site hacked together by Harvard students into a force that, while it may make personal life just a little more pleasurable, makes democracy a lot more challenging. It's an account of the hubris of good intentions, a missionary spirit, and an ideology that sees computer code as the universal solvent for all human problems. And it's an indictment of how "social media" has fostered the deterioration of democratic culture around the world, from facilitating Russian meddling in support of Trump's election to the exploitation of the platform by murderous authoritarians in Burma and the Philippines. Facebook grew out of an ideological commitment to data-driven decision making and logical thinking. Its culture is explicitly tolerant of difference and dissent. Both its market orientation and its labor force are global. It preaches the power of connectivity to change lives for the better. Indeed, no company better represents the dream of a fully connected planet "sharing" words, ideas, and images, and no company has better leveraged those ideas into wealth and influence. Yet no company has contributed more to the global collapse of basic tenets of deliberation and democracy. Both authoritative and trenchant, Antisocial Media shows how Facebook's mission went so wrong.

Communication in politics --- Internet addiction --- Social media --- Truthfulness and falsehood --- Technological innovations --- Political aspects --- Social media - Political aspects - United States --- Communication in politics - Technological innovations - United States --- Internet addiction - United States --- Truthfulness and falsehood - United States

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"This anthology contains the original manifestos of 50 women artists/feminist groups/feminist protests. Introductory essay by Katy Deepwell, with notes on each manifesto. What is a manifesto? A political programme, a declaration, a definitive statement of belief. Neither institutional mission statement, nor religious dogma; neither a poem, nor a book. As a form of literature, manifestos occupy a specific place in the history of public discourse as a means to communicate radical ideas. Distributed as often ephemeral documents, as leaflets or pamphlets in political campaigns or as announcements of the formation of new parties or new avant-gardes, manifestos above all declare what its authors are for and against, and ask people who read them to join them, to understand, to share these ideas. The feminist art manifestos in this anthology do all of these things as they explore the potential and possibilities of women's cultural production as visual artists"-- Publisher's website.

Art manifestos. --- Feminism and art. --- Art manifestos --- Political manifestos --- Feminism and art --- Art and feminism --- Art --- Manifestoes, Political --- Manifestos, Political --- Political manifestoes --- Communication in politics --- Art manifestoes --- Artistic manifestoes (Artists' writings) --- Artistic manifestos (Artists' writings) --- Manifestoes, Art --- Manifestos, Art --- Artists' writings

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Propaganda. --- persuasieve communicatie --- Advertising. Public relations --- propaganda --- Propaganda --- #SBIB:309H270 --- 32.019.52 --- Communication in politics --- Political psychology --- Social influence --- Advertising --- Persuasion (Psychology) --- Psychological warfare --- Public relations --- Publicity --- Social pressure --- 32.019.52 Opinieonderzoek. Opiniepeiling. Politieke opvattingen --- Opinieonderzoek. Opiniepeiling. Politieke opvattingen --- Politieke communicatie: algemene werken --- Massacommunicatie --- Massamedia --- Politieke communicatie --- Beïnvloeding --- Ethiek --- Overheidsvoorlichting --- Voorlichting --- Godsdienst --- Sport --- Duurzaamheid --- Filosofie --- Psychologie --- Sociologie --- Man --- Cultuur --- Erfelijkheidsleer --- Stadssamenleving --- Technologie --- Voeding --- Maatschappij --- Verpleegkunde --- Drank --- Gezondheid --- Volwassene --- Communicatietheorie

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"Politics in the Middle East is now seen and the image is playing a central part in processes of political struggle. This is the first book in the literature to engage directly with these changing ways of communicating politics in the region {u2013} and particularly with the politics of the image, its power as a political tool."--From the publisher's website.

#SBIB:309H271 --- #SBIB:309H1016 --- #SBIB:324H60 --- #SBIB:324H73 --- Politieke communicatie: toepassingsgebieden --- Media: socio-culturele aspecten (massamedia en maatschappij, met inbegrip van cultuurhistorische werken en werken over de maatschappelijke en politieke effecten van de (diverse) media) --- Politieke socialisatie --- Politieke verandering: oppositie en minderheid, protest, politiek geweld --- Communication in politics --- Visual communication --- Middle East --- Politics and government --- Midden Oosten --- Mass media --- Political communication --- Political science --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Mass communication --- Media, Mass --- Media, The --- Political aspects

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Mass communications --- World history --- history [discipline] --- wars --- propaganda --- geschiedenis --- media --- oorlogen --- anno 1900-1999 --- 20ste eeuw --- Mass media and war --- Propaganda --- War and society --- History --- 092.9 --- journalistiek --- oorlogsjournalistiek --- oorlogspropaganda --- 77.044 --- fotografie --- nazisme --- oorlog --- oorlogsfotografie --- Piet Chielens, Hannelore Decoodt, Bert Hogenkamp, Bruno De Wever, Rudi Vranckx --- reportagefotografie --- Spaanse burgeroorlog --- twintigste eeuw --- wereldoorlogen --- (069) --- 766.046 --- Fotojournalisme ; rampen ; oorlogen --- Thema's in grafische vormgeving ; oorlog ; propaganda ; 20ste eeuw --- 355 <09> --- 355 <09> Militaire geschiedenis --- Militaire geschiedenis --- Society and war --- War --- Sociology --- Civilians in war --- Sociology, Military --- War and mass media --- War in mass media --- Communication in politics --- Political psychology --- Social influence --- Advertising --- Persuasion (Psychology) --- Psychological warfare --- Public relations --- Publicity --- Social pressure --- pers en journalistiek - overige onderwerpen --- (Musea. Collecties) --- Gebruiksgrafiek ; epische, mythologische, religieuze voorstellingen --- Fotografie ; reportage-opnamen --- Social aspects --- Exhibitions --- 766.31.043 --- Grafische industrie en ontwerp ; beeld ; reclame ; thema's ; propaganda --- 20ste eeuw.